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Silliman's Blog
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<p class='description'><span>A weblog focused on contemporary poetry and poetics.</span></p>
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<h2 class='date-header'><span>Thursday, April 24, 2008</span></h2>

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<p class=MsoNormal align=center style='text-align:center'><img height="384" id="_x0000_i1025" src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh6.googleusercontent.com/proxy/-LHPpLp3bj7xe2v1qCMukzC21gVPm7-0neBwVZgSJ9HvIcLQXuXJ7P8NyfEIFMr_MAWntv3M18l_rjqUXTatLlYmqQ8%3Ds0-d" width="356"></p>

<p style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>When the <a href="http://www.cueartfoundation.org/"><span style='color:black'>CUE Art Foundation</span></a> asked me last year if I would curate a show this spring for its </span><st1:City><st1:place><span style='font-size:10.0pt;font-family:Arial;color:black'>Chelsea</span></st1:place></st1:City><span style='font-size:10.0pt;font-family:Arial;color:black'> gallery, a number of possibilities immediately jumped to mind. The rule as I originally understood it was that it had to be an artist who either had not previously had a show in  </span><st1:State><st1:place><span style='font-size:10.0pt;font-family:Arial;color:black'>New York</span></st1:place></st1:State><span style='font-size:10.0pt;font-family:Arial;color:black'> before, or at least not in ten years. When I checked further, I learned that it had to be an American artist and they needed to be living &#8211; there went, for example, Australian-born, Zurich-based media artist <a href="http://ics.zhdk.ch/e/institute/scott.html"><span style='color:black'>Jill Scott</span></a> (an important figure in the San Francisco performance scene in the 1970s) as well as modernist wood worker <a href="http://www.levins.com/esherick.html"><span style='color:black'>Wharton</span></a> <a href="http://tinyurl.com/48hcpu"><span class=SpellE><span style='color:black'>Esherick</span></span></a> (1887-1970), both of whom I would love to introduce to wider contemporary audiences. Even with the expansion of galleries that has accompanied the evolution of </span><st1:City><st1:place><span style='font-size:10.0pt;font-family:Arial;color:black'>Chelsea</span></st1:place></st1:City><span style='font-size:10.0pt;font-family:Arial;color:black'> as the post-downtown visual arts vortex, the number of superb artists who haven&#8217;t shown in  </span><st1:State><st1:place><span   style='font-size:10.0pt;font-family:Arial;color:black'>New York</span></st1:place></st1:State><span style='font-size:10.0pt;font-family:Arial;color:black'> remains overwhelming. Just to keep the process manageable, I restricted myself to those whose work has been important to me, generative in contributing to how I think about my own work as a poet. That list got a little shorter as I discovered that a couple of the people I&#8217;d been contemplating had recently had shows in NYC. And once I had finally gotten my list of possible choices down to two people, one of them, photographer <a href="http://zoestrauss.com/"><span class=SpellE><span style='color:black'>Zoe</span></span></a> <a href="http://www.zoestrauss.blogspot.com/"><span style='color:black'>Strauss</span></a>, told me she had been offered a show in </span><st1:State><st1:place><span   style='font-size:10.0pt;font-family:Arial;color:black'>New  York</span></st1:place></st1:State><span style='font-size:10.0pt;font-family:Arial;color:black'> even earlier than would be possible with CUE and was going to go forward with that. Her decision had the advantage of keeping my selection from becoming a completely wrenching one. <o:p></o:p></span></p>

<p style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'><a href="http://www.ethertongallery.com/html/archive/gallery/encounters/miller.html"><span style='color:black'>Cynthia</span></a> <a href="http://www.cemillerart.com/"><span style='color:black'>Miller</span></a> has been a key figure in the </span><st1:City><st1:place><span   style='font-size:10.0pt;font-family:Arial;color:black'>Tucson</span></st1:place></st1:City><span style='font-size:10.0pt;font-family:Arial;color:black'> art scene for quite some time. While many readers of this blog probably know her work already from its association with <a href="http://chax.org/artists/cmiller/index.htm"><span style='color:black'>Chax Press</span></a> and many of their book covers (including my own <i style='mso-bidi-font-style:normal'><a href="http://farm1.static.flickr.com/2/1957185_80f38ee09f.jpg"><span style='color:black'>Demo to Ink</span></a>)</i>, traveling to Tucson is what really gives you a sense of the scope and reach of her work. This show gives me the opportunity to do the next best thing to taking the  </span><st1:State><st1:place><span   style='font-size:10.0pt;font-family:Arial;color:black'>New York</span></st1:place></st1:State><span style='font-size:10.0pt;font-family:Arial;color:black'> visual arts world to the American southwest to get that context. I&#8217;m bringing Cynthia&#8217;s most recent work to the CUE Art Foundation, starting today and running through the end of May. <o:p></o:p></span></p>

<p style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>Here is a little statement I&#8217;ve contributed to the gallery&#8217;s catalog for the exhibition:<o:p></o:p></span></p>

<p style='margin-top:0in;margin-right:.5in;margin-bottom:12.0pt;margin-left:.5in'><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial'>Blending so-called high and low genre, the Arts &amp; Crafts Movement anticipated much that we now think of as postmodern. Many of the forms that concerned <span class=nfakpe>William</span> <span class=nfakpe>Morris</span>, for example, including wallpaper, carpets &amp; floor runners, were not only designed for domestic use, but also engaged visual traditions that deployed imagery as pattern, muting or deflecting the narrative of a &quot;scene.&quot; Many other &quot;Other&quot; traditions likewise share exactly these features, from the cubism of African sculpture to the pottery &amp; <span class=GramE>tapestries</span> of Central &amp; South America, and of course the American Southwest. </span><st1:City><st1:place><span   style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial'>Tucson</span></st1:place></st1:City><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial'>'s Cynthia Miller, a painter whose work reproduced on book covers has been a visual signature of Chax Press for 20-plus years, pulls these different elements together with what I think she might call a Southwestern eye, and most definitely a Southwestern imagination.</span><span style='font-family:Verdana'><o:p></o:p></span></p>

<p style='margin-top:0in;margin-right:.5in;margin-bottom:12.0pt;margin-left:.5in'><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial'>The objects envisioned are simple &#8211; quail, a tea kettle, a flower pot &#8211; but seldom used simply. Rather, like the blue deer, the red pony or the red and yellow birds, each is cast so as to let in many possible connotations. Two crows represent two crows, yet they completely reframe the spatial relations of the two vases, one white, the other not (or the third vase, half hidden red against orange in the leftmost field). The result  is a painting that conveys a sense of anxiety without ever telling why. Yet look at the lush <span class=SpellE>leafwork</span> about the crow on the right, or the transparent foliage about the darker vase.</span><span style='font-family:Verdana'><o:p></o:p></span></p>

<p style='margin-top:0in;margin-right:.5in;margin-bottom:12.0pt;margin-left:.5in'><span  style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial'>The fields on which these translucent images sit are themselves visually rich, not unlike the flowers surrounding the road behind the blue antlers of <i>Out West. </i>The background tones often proceed from pink or red or red-orange to blue or blue green. At times I think this figures the seasons, at times the hours in a day, at times I think it is there precisely to resist figuration. </span><span style='font-family:Verdana'><o:p></o:p></span></p> 

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>The opening reception is tonight from 6 until </span><st1:time Minute="0" Hour="20"><span style='font-size:10.0pt;font-family:Arial;color:black'>8 PM</span></st1:time><span style='font-size:10.0pt;font-family:Arial;color:black'> at the gallery, </span><st1:Street><st1:address><span   style='font-size:10.0pt;font-family:Arial;color:black'>511 W. 25<sup>th</sup>   Street</span></st1:address></st1:Street><span style='font-size:10.0pt;font-family:Arial;color:black'> (between 10<sup>th</sup> &amp; 11<sup>th</sup> avenues). Tomorrow, <a href="http://www.chax.org/"><span style='color:black'>Charles Alexander</span></a> &amp; I will give readings at the gallery &#8211; this starts at </span><st1:time Minute="30" Hour="18"><span style='font-size:10.0pt;font-family:Arial;color:black'>6:30 PM</span></st1:time><span style='font-size:10.0pt;font-family:Arial;color:black'> &#8211; followed by <a href="http://www.jamesfei.com/"><span style='color:black'>James <span class=SpellE>Fei</span></span></a> on saxophone. You need to RSVP for that event, as seating is limited. And you really need to bring your eyes, ears, mind <i style='mso-bidi-font-style:normal'>and </i>subconscious to both of these events. <o:p></o:p></span></p>
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<h2 class='date-header'><span>Saturday, April 19, 2008</span></h2>

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<p class=MsoNormal align=center style='margin-bottom:12.0pt;text-align:center'><span style='color:black'><img height="324" id="_x0000_i1025" src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh4.googleusercontent.com/proxy/zFZyZkZGcrnSeaS_TyW0kaS4pyY_DxkMbm4u_AsV25xwNEAAxr4QLA2vOyjG7ru3i8jVsiR8plY_nq05qIIUya_yKk7KSfmHu87aMA%3Ds0-d" width="432"><o:p></o:p></span></p>

<p class=MsoNormal align=center style='text-align:center'><b style='mso-bidi-font-weight:normal'><span style='font-size:18.0pt;font-family:Arial;color:blue'>Thursday, April 24<sup>th</sup> &amp; Friday, April 25<sup>th</sup></span></b><sup><span style='font-size:18.0pt;font-family:Arial;color:black'><br>
</span></sup><sup><span style='font-size:10.0pt;font-family:Arial;color:black'><br>
</span></sup><span style='font-size:10.0pt;font-family:Arial;color:black'>All at the </span><b style='mso-bidi-font-weight:normal'><span style='font-size:16.0pt;font-family:Arial;color:black'><a href="http://www.cueartfoundation.org/"><span style='color:black'>CUE Art Foundation</span></a></span></b><span style='font-size:10.0pt;font-family:Arial;color:black'><br>
</span><st1:Street><st1:address><span style='font-size:10.0pt;font-family:Arial;color:black'>511 West 25<sup>th</sup> Street</span></st1:address></st1:Street><span style='font-size:10.0pt;font-family:Arial;color:black'>, Ground <span class=GramE>Floor</span><br>
(between 10<sup>th</sup> &amp; 11<sup>th</sup> avenues)<br>
</span><st1:place><st1:City><b style='mso-bidi-font-weight:normal'><span   style='font-size:10.0pt;font-family:Arial;color:black'>New York</span></b></st1:City><b style='mso-bidi-font-weight:normal'><span style='font-size:10.0pt;font-family:Arial;color:black'>, </span></b><st1:State><b style='mso-bidi-font-weight:normal'><span style='font-size:10.0pt;font-family:Arial;color:black'>New  York</span></b></st1:State></st1:place><span style='font-size:10.0pt;font-family:Arial;color:black'><br>
212.206.3538<o:p></o:p></span></p>

<p class=MsoNormal align=center style='text-align:center'><span style='font-size:10.0pt;font-family:Arial;color:black'><o:p>&nbsp;</o:p></span></p>

<p class=MsoNormal align=center style='text-align:center'><b style='mso-bidi-font-weight:normal'><span style='font-size:16.0pt;font-family:Arial;color:black'>&#1078; <span class=SpellE>&#1078;</span> <span class=SpellE>&#1078;</span><o:p></o:p></span></b></p>

<p class=MsoNormal align=center style='text-align:center'><span style='font-size:10.0pt;font-family:Arial;color:black'><br>
</span><b style='mso-bidi-font-weight:normal'><span style='font-size:22.0pt;font-family:Arial;color:black'><a href="http://www.ethertongallery.com/html/archive/gallery/encounters/miller.html"><span style='color:black'>Cynthia</span></a> <a href="http://www.cemillerart.com/"><span style='color:black'>Miller</span></a></b></p>
<p class=MsoNormal align=center style='text-align:center'><b style='mso-bidi-font-weight:normal'><span style='font-size:16.0pt;font-family:Arial;color:black'>Paintings<o:p></o:p></span></b></p> 
<p class=MsoNormal align=center style='text-align:center'><span style='font-size:10.0pt;font-family:Arial;color:black'>Curated by Ron Silliman<o:p></o:p></span></p>
<p class=MsoNormal align=center style='text-align:center'><b style='mso-bidi-font-weight:normal'><span style='font-family:Arial;color:black'>Opening reception<span class=GramE>:</span><br>
Thursday, April 24, </span></b><st1:time Minute="0" Hour="18"><b style='mso-bidi-font-weight:normal'><span style='font-family:Arial;color:black'>6-8  PM</span></b></st1:time><b style='mso-bidi-font-weight:normal'><span style='font-family:Arial;color:black'><br>
</span></b><span style='font-size:10.0pt;font-family:Arial;color:black'><br>
The show will be up through May 31<br>
Gallery hours, Tuesday through Saturday, 10-6<br>
Closed Sunday &amp; Monday<o:p></o:p></span></p>
<p class=MsoNormal align=center style='text-align:center'><b style='mso-bidi-font-weight:normal'><span style='font-size:10.0pt;font-family:Arial;color:black'>Catalog available<o:p></o:p></span></b></p>

<p class=MsoNormal align=center style='text-align:center'><b style='mso-bidi-font-weight:normal'><span style='font-size:16.0pt;font-family:Arial;color:black'>&#1078; <span class=SpellE>&#1078;</span> <span class=SpellE>&#1078;</span><o:p></o:p></span></b></p>

<p class=MsoNormal align=center style='text-align:center'><b style='mso-bidi-font-weight:normal'><span style='font-size:13.0pt;font-family:Arial;color:black'>Words + Music, </span></b><st1:time Minute="30" Hour="18"><b style='mso-bidi-font-weight:normal'><span style='font-size:13.0pt;font-family:Arial;color:black'>6:30 PM</span></b></st1:time><b style='mso-bidi-font-weight:normal'><span style='font-size:13.0pt;font-family:Arial;color:black'>, Friday, April 25<sup>th </sup><o:p></o:p></span></b></p>

<p class=MsoNormal align=center style='text-align:center;line-height:150%'><span style='font-size:10.0pt;line-height:150%;font-family:Arial;color:black'>
</span><b style='mso-bidi-font-weight:normal'><span style='font-family:Arial;color:black'><a href="http://epc.buffalo.edu/authors/silliman/"><span style='color:black'>Ron</span></a> <a href="http://poetryfoundation.org/archive/poet.html?id=6323"><span style='color:black'>Silliman</span></a><br>
<a href="http://epc.buffalo.edu/authors/alexander/"><span style='color:black'>Charles</span></a> <a href="http://www.chax.org/"><span style='color:black'>Alexander</span></a><br>
<a href="http://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/2008/04/if-you-look-at-sax-reeds-in-this.html"><span style='color:black'>James</span></a> <a href="http://www.jamesfei.com/"><span class=SpellE><span style='color:black'>Fei</span></span></a><o:p></o:p></span></b></p>

<p class=MsoNormal align=center style='text-align:center'><span style='font-size:10.0pt;font-family:Arial;color:black'><o:p>&nbsp;</o:p></span></p>

<p class=MsoNormal align=center style='text-align:center'><span style='color:black'><img border="0" height="385" id="_x0000_i1026" src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh4.googleusercontent.com/proxy/ZKDd-iMeXe1tt14W6UrWC-50KZJ6Z2ExKwOCTsgM8S0JUmx9K26MkZOu3hl5CQa0oorqkCI9ixzwbEPItTprNONW-FCF%3Ds0-d" width="360"><br>
</span><i style='mso-bidi-font-style:normal'><span style='font-size:8.0pt;font-family:Arial;color:black'>images &#169; 2008 by Cynthia Miller</span></i><span style='color:black'><o:p></o:p></span></p>
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<b>October</b><br /><br />Madrid<br />with Charles Bernstein & Susan Bee<br /><br />Barcelona<br /><div><br /><br />Saragossa?<br /><br /><b>November</b><br /><br />Rome?<div><br /></div><div><br /></div></div>
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<a href="http://www.ucpress.edu/books/pages/10742.php">I: The Age of Huts<br /><br /></a>             <a href="http://www.ucpress.edu/books/pages/10742.php"><img src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh6.googleusercontent.com/proxy/u_VsYLU9NS_tJXOrl6A4RM1Dne7QkuSslpBc0StgKSXXoIDStYoXqSwDo2tuxST00QD3ynVJH4yjAhcEzTWyM0F_RriCRx9yZdyygceY2wm-%3Ds0-d" /></a><br /><br /><br />II: Tjanting<br /><br /><a href="https://www.saltpublishing.com/products/tjanting-9781876857196"><img src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh4.googleusercontent.com/proxy/efy1lIcVIKeKSdy_WUDIxV8WLN0OJmA3f7enQ2XDwxwt7Bh5ssfQQAkW_o4oG6FqrB1RGf7CX-Rw-VQ4u36RIuwSsCMxWjjHFDP4c7CbW2d_%3Ds0-d" /></a><br /><br /><br /><a href="http://www.uapress.ua.edu/product/Alphabet,1897.aspx">III: The Alphabet<br /><br /></a><a href="http://www.uapress.ua.edu/product/Alphabet,1897.aspx"><img id="ctl00_MainContent_ProductInfo1_ctl00_PrimaryImage_PrimaryImage" onclick="javascript:window.open(&#39;http://www.uapress.ua.edu//images/temp/212-1897-Product_LargeToMediumImage.jpeg&#39;, 1, &#39;resizable=1, width=500, height=700&#39;)" src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh3.googleusercontent.com/proxy/OnaMjXm2h6XxneM04RgHx1Bkf2Wi9UE3a8c3o0NDvW5wXo7BK3MaM5VP9YfbEIpHYxAstTorwhNW4lhhkNuua5bDX7Ogr2UgZ1NMDDjeh-0bNnuo-WH-9pGHIR6lv-4-_UDHVNe36xB6%3Ds0-d" style="border: 1px solid Gray;" /></a><br /><div><br /></div><div>IV. from Universe</div><div><br /></div><div><br /></div><div><br /></div><div><br /></div>
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<span style="font-weight: bold;">MEMOIRS &amp; COLLABORATIONS</span><br /><a href="https://www.amazon.com/Leningrad-American-Writers-Soviet-Union/dp/1562790056">Leningrad</a><br /><a href="http://www.thegrandpiano.org/">The Grand Piano</a><br /><a href="https://www.saltpublishing.com/products/under-albany-9781844710515">Under Albany</a><br /><br /><span style="font-weight: bold;">CRITICISM</span><br /><a href="http://www.spdbooks.org/Producte/0937804207/the-new-sentence.aspx">The New Sentence</a><br /><br /><span style="font-weight: bold;">ANTHOLOGY</span><br /><a href="https://secure.touchnet.com/C22921_ustores/web/classic/product_detail.jsp?PRODUCTID=327&SINGLESTORE=true">In The American Tree</a><br /><br /><br /><br />
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<br /><img alt="" src="file%3A///Users/Lynn/Desktop/silliman2a.jpg" / /><img alt="" src="file%3A///Users/Lynn/Library/Caches/TemporaryItems/moz-screenshot.png" / /><span style="color: #990000; font-weight: bold;">RON SILLIMAN</span> has written and edited 40 books, and had his poetry and criticism translated into 16 languages. Silliman was a 2012 Kelly Writers House Fellow, the 2010 recipient of the Levinson Prize from the Poetry Foundation, a 2003 Literary Fellow of the National Endowment for the Arts, a 2002 Fellow of the Pennsylvania Arts Council, and a 1998 Pew Fellow in the Arts. Silliman has a plaque in the walk dedicated to poetry in his home town of Berkeley and a sculpture in the Transit Center of Bury, Lancaster, a part of the Irwell Sculpture Trail. He lives in Chester County, Pennsylvania and teaches at the University of Pennsylvania.<br /><br /><br /><br /><br /><br /><br />(c) 2002-2019 by Ron Silliman.
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